Argumentative Essay Topics On Being Bilingual While Residing In South Texas
Saturday, September 14, 2019
The Palace of Versailles and Contemporary Art: Takashi Murakami
The Palace of Versailles located approximately twelve miles outside Paris, France and is viewed as a place to showcase modern art. Much of the art that the palace has put on exhibitions over the years has brought a lot of controversy including the most recent one by Japanese artist Takashi Murakimi. Looking back at the 400 years of history at the Palace of Versailles it was once a home for the French royal family, a center for political power and today is a symbol of absolute monarchy. King Louis XIV viewed Versailles also as a showcase for the artists he supported. Louis and his successors were passionate about contemporary art and were constantly having parts of the palace demolished and rebuilt and redecorated by the newest and finest artists of their day. Versailles serves as a place where the newest ideas in art are showcased and served as a trendsetter for other palaces as well such as The Louvre; with itââ¬â¢s over the top decorations showing the monarchyââ¬â¢s wealth. Today, the palace is constantly having some of the currently most popular artists showcase their work at Versailles for the public to view. The most recent exhibit at the palace by Takashi Murakami ran from September 14, 2010 to December 12, 2010 has sparked a lot of controversy. This exhibition is called Murakami Versailles features 15 statues placed in different rooms of the palace. Murakami is a contemporary artist from Japan and has been billed as the new Andy Warhol, who is also Murakamiââ¬â¢s mentor. The showcase features big, brightly colored cartoonish figures, flowers, globes and other inanimate objects. The style is far from the Baroque style of the palace, leaving most critics to deem the show inappropriate. Some groups visiting the Chateau complained that Murakamiââ¬â¢s work has no place in rooms once residence to historical figures such as King Louis XIV, Franceââ¬â¢s Sun King and Marie Antoinette. Prince Charles-Emmanual de Bourbon-Parme, an heir of Louis XIV, tried to get the exhibit banned stating that it dishonored his family and their past but the courts dismissed his bid. One of his most tasteless pieces is a sculpture titled Hiropon, a large-breasted girl in a bikini who is skipping through a ââ¬Å"ropeâ⬠made of breast milk, this piece is not included in the exposition but it shows that Mr. Murakami is undeserving of Versailles. Muarakami spoke at a news conference and discussed the controversy. ââ¬Å"When I hear such things, I say to myself that when a (sports) team scores a goal, there are always people who arenââ¬â¢t happy about it and who express that discontentâ⬠¦ The exhibitââ¬â¢s meant to be a sort of face-off between the Baroque period and postwar Japan, and I hope it will create in visitors a sort of shock, an aesthetic feelingâ⬠(Barchfield). Jean-Jacques Aillagon, president of the Chateau de Versailles defended the showcase saying he believes it is ââ¬Å"ââ¬Ëhis duty to open the palace to the artistic creation of our timesââ¬â¢Ã¢â¬ (Barchfield). He also stated it gives the ââ¬Å"visitors to historic monuments the chance to discover art that is less familiar to themâ⬠He added that the protests ââ¬Å"come from far-right fundamentalists circles and from very conservative circles who see the museum as a reliquary of nostalgia of Ancient Regime France, of a France, that is turned in itself and hostile to modernityâ⬠(ââ¬Å"Protestersâ⬠). Aillagon also stated ââ¬Å"the palace and Murakamiââ¬â¢s work are both joyful- the palace was not a place of penitence, not a place to be sadâ⬠(ââ¬Å"Takashi Murakami's Versaillesâ⬠). Versailles curator, Laurent Le Bon, stated ââ¬Å"most of the visitors come for the chateau, not for Murakami, and are unfamiliar with contemporary artâ⬠(Von Uthmann). Several online petitions gathered thousands of names online even before the exhibition opened to the public. Two years ago a similar controversy occurred when Aillagon brought in contemporary American artist Jeff Koons. Call me a far right fundamentalist and conservative but I agree with all of the criticism surrounding this issue. This past November I got the privilege of traveling to Paris and visiting the Palace of Versailles. I had not heard anything about this exhibit occurring until getting to the Palace, walking into one of the first rooms and seeing it firsthand. I was appalled when seeing the first statue, my family and I thought the statues took a lot away from the beauty of the chateau. It also prevented us from seeing parts of the rooms and taking pictures of ceilings, walls, specific architecture that was being blocked from the statues. One visitor stated ââ¬Å"[w]e are in a historic place, we want to see how history happened here, but every time you see a doll or a crazy monster it takes you completely out of the climax of the placeâ⬠(ââ¬Å"Takashi Murakami's Versaillesâ⬠). Another stated, ââ¬Å" it totally detracts from everything thatââ¬â¢s here. Itââ¬â¢s almost insulting to the palace and to visitorsâ⬠(ââ¬Å"Takashi Murakami's Versailles â⬠) My least favorite was a piece called Tongari-Kun, also known as Mr. Pointy, inside one of the state rooms because it was so tall it blocked me from seeing the entire ceiling. Moreover, another piece called Flower Matango in the Hall of Mirrors was just awful in this room. The hall of mirrors is one of the most famous and beautiful rooms in the entire palace rich in beauty and history but it was all masked because of this statue. The sculpture of a bunch of bright, animated, ugly flowers. We could not step back and see the entire hall in its original beauty without seeing this statue smack in the center and the beauty of the mirrors was taken away because this statue was being reflected off of almost every one at that end of the hall. The statues were too brightly colored and too in your face from the mood of the rest of the palace. I have no personal pictures of the artwork because I, along with everyone else in my family, made sure Murakamiââ¬â¢s art was out of every picture frame. I can understand why they have the exposition and the cultural exchange, the fact that they want to keep the tradition of showing the world modern art but unlike when the palace was being used for residence and power today the palace is an enormous historical landmark and is visited by over three million people per year. People do not go to the Parthenon in Greece or the Colosseum in Rome to see other artists or even have other artists intruding on its beauty. Likewise, these visitors do not go to see modern art but to see the old beauty of the palace and walk into a bit of history for a day. There are so many other museums in Paris that show modern art that the Palace of Versailles does not need to be one of them. The Palace is a piece of art on its own and does not need to have these controversial exhibits constantly demolishing its beauty. After seeing this overall I was disappointed with the exhibit and I wish I could go back another time when there will not be such a distraction.
Past Semester Ais 280
CONFIDENTIAL AC/SEP 2011/AIS280/CAC230 UNIVERSITI TEKNOLOGI MARA FINAL EXAMINATION COURSE COURSE CODE EXAMINATION TIME COMPUTERIZED ACCOUNTING/ COMPUTERISED ACCOUNTING AIS280/CAC230 SEPTEMBER 2011 3 HOURS INSTRUCTIONS TO CANDIDATES 1. This question paper consists of four (4) parts : PART A (20 Questions) PART B (3 Questions) PART C (3 Questions) PART D (2 Questions) 2. Answer ALL questions from all four (4) parts : i) Answer PART A in the Objective Answer Sheet. ii) Answer PART B, C and D in the Answer Booklet. Start each answer on a new page. . Do not bring any material into the examination room unless permission is given by the invigilator. 4. Please check to make sure that this examination pack consists of: i) the Question Paper ii) an Answer Booklet ââ¬â provided by the Faculty iii) an Objective Answer Sheet ââ¬â provided by the Faculty DO NOT TURN THIS PAGE UNTIL YOU ARE TOLD TO DO SO This examination paper consists of 14 printed pages à © Hak Cipta Universiti Teknologi MARA CONFIDENTIAL CONFIDENTIAL 2 AC/SEP 2011/AIS280/CAC230 PART A This part consists of 20 multiple-choice questions. Choose the most suitable answer and shade the corresponding alphabet representing the answer in the Objective Answer sheet provided. 1. Which of the following statements about relative cell referencing is INCORRECT? a. It changes automatically when copying cell formula from one cell location to another location. b. It is usually denoted by this sign ââ¬Å"=â⬠orâ⬠+â⬠. c. It is useful since it saves our time from typing the same data or formula into different location. d. It can also occur when a cell is entered in a formula using the $ symbol. 2. Cell B1 and B2 shows a value of 20 and 30 respectively. What is the best formula to total the values in cell B3? a. =B20+B30. b. =B1+B2. c. =$B$1+$B$2. d. =B$20+B$30. 3. The formula =IF(OR(condition 1, condition 2, condition 3), ââ¬ËYES', ââ¬Å"NOâ⬠) will give the result . YES if condition 1 and 2 are met. i. NO if condition 2 and 3 are met. ii. YES if all the conditions are met. v. NO if all the conditions are not met. a. b. c. , ii and iii i, iii and iv , iii and iv d. All of the above 4. In Excel the ââ¬Ë*' symbol is considered as a a. Label b. Text c. Number d. Formula à © Hak Cipta Universiti Teknologi MARA CONFIDENTIAL CONFIDENTIAL 3 AC/SEP 2011/AIS280/CAC230 . The following description relates to which type of logical function? â⬠¢ It has only one condition to test; â⬠¢ If the condition is not met, the outcome is true; and â⬠¢ If the condition is met, the outcome is false a. AND function. b. OR function. c. NOT function. d. ROUND function. Questions 6 and 7 are based on Figure 1 below: A B c D L F G KARAMBU NAI TRADING ADJUSTED TRIAL BALANCE AS AT 31 AUGUST 2011 Freehold Land Motor Vehicles Accumulated Depreciation ââ¬â Motor Vehicle Sales Rent Administration Salaries Advertising Expenses Telephone lEIectricity Purchases Stationery Bank overdraft Capital Debtors Creditors Inventory Accrued Rent Depreciation ââ¬â Motor Vehicles Closing Inventory Opening Inventory Doubtful debts Provision for Doubtful debts TRIAL BALANCE Debit (RM) 400,000 600,000 253,600 240,000â⬠² 96,000 59,600 18,600 340,000 22,400 15,200 30,000 2,075,400 Credit (RM) 240,000 832,000 142,000 760,000 101,400 2,075,400 ADJUSTED ENTRIES Debit Credit (RM) (RM) 72,000 (b) 1,200 (a) 28,300 (d) 30,000 (e) 1,200 (a) 72,000 (b) 28,300 (d) 30,000 (e) 760 (f) 760 (f) 132,260 132,260 H I ADJUSTED TRIAL BALANCE Debit (RM) 400,000 600,000 254,800 240,000 96,000 59,600 18,600 340,000 2,400 15,200 28,300 72,000 30,000 760 2,177,660 Credit (RM) 312,000 832,000 142,000 760,000 101,400 1,200 28,300 760 2,177,660 Figure 1 6. The following statements are correct about the data inserted in cell D10, EXCEPT a. it represents accrued rent for the period b. it will be transferred to the balance sheet under current asset c. it will be shown in cell H10 as an addition to the bal ance in cell B10 d. failure to take into account the amount will be resulted on overstating the net profit. 7. Based on the Figure 1 above, what is the best formula for cell H6? a. =IF(0 Enter the date range 1/01/2011 to 31/01/2011 -; Click Display. c. Report -; Accounts -; Select Transaction Journal from Index to Reports -; Customize â⬠¢Ã » Enter the date range 01/01/2011 to 31/01/2011 -; Click Display. d. Click the Accounts icon at the main Command centre, and click Transaction Journal. 15. button is used to generate report in various format such as PDF , Email and Fax. a. Print b. Send To c. Customize d. Close 16. Which option cannot be found in Banking Command Centre? a. Spend Money b. Receive Money c. Reconcile Accounts d. Bank Statement 17. Which of the following statements are CORRECT? . If the company's financial year starts on 1 September 2011 and ends on 31 August, 2012, its current financial year is 2012. ii. The report that enables you to view stock movements for ea ch item is Item List (Summary), iii. The Banking Command Centre cannot be used to record money received for invoices created via Sales Command Centre, iv. An invoice can be changed to a quote or an order. a. i and iii. b. ii and iv. c. i, ii and iii. d. i, ii and iv. 18. In the event that a refund to customer is required in relation to the Credit Note issued, click the Pay Refund button at the . a. Bank Register. b. Sales Register's Returns and Debits Tab window. c. Sales Register's Returns and Credits Tab window. d. Settle Returns and Credits Tab window. à © Hak Cipta Universiti Teknologi MARA CONFIDENTIAL CONFIDENTIAL 7 AC/SEP 2011/AIS280/CAC230 19. Which of the following account has the correct prefix number in MYOB? Account Name Account Number a. Inventory 2-4000 b. Owner's Equity 8-0000 c. Bank Charges 6-5555 d Other Expenses 7-1000 20. The following options are available to build the accounts list in MYOB, EXCEPT a. start with one of the list provided by MYOB. b. import a list of accounts from the company's accountant. . build own account from scratch. d. export from other company's account list. (Total: 20 marks) à © Hak Cipta Universiti Teknologi MARA CONFIDENTIAL CONFIDENTIAL 8 AC/SEP 2011/AIS280/CAC230 PARTB Answer ALL questions. QUESTION 1 The following questions are based on Figure 4 below: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 IS 19 20 21 22 23 25 26 27 28 23 â⬠¢SO 3 1 32 33 34 35 36 37 38 A B Reducinq Balance Method Machine Straiqht 1 ââ¬â WDR 1704 YEAR 20O6 2007 2008 200S 2010 2011 Line Method Motor Vehicles ââ¬â YEAR 2006 2007 2008 2009 2010 201 1 DEPRECIATION EXPENSES 26,297. 06 17,076. 59 11,089 07 ,200 94 4,676. 09 3,036. 52 SAB 2317 DEPRECIATION EXPENSES 1 5. 800. 00 5,800. 00 5,800 00 5. 800. 00 5,800. 00 5,800 00 C ! Asset Name Date of Purchase Purchase Cost (RM) Salvage Value (RM) Useful Life { years ) D E ALIF HAIKAL BHD Schedule of Depreciation Machine 1 ââ¬â WDR 1704 01/01/2008 75,000. 00 1,000. 00 10 Methods of Depreciation Reducing Balance Method ACCUMULATED DEPRECIATION 26,297. 06 43,373. 65 54,462 72 61,663. 66 66,339. 75 69,376. 27 ACCUMULATED DEPRECIATION 5,800. 00 11,600. 00 17,400. 00 23,20000 29,000. 00 34,800. 00 35% NET BOOK VALUE 48,702. 94 31,626. 35 20,537. 28 3,336. 34 8,660. 25 5,623. 73 NET BOOK VALUE 54,200. 00 48,400 00 42,600 00 36,800. 00 31,000. 00 25,200 00 F Motor Vehicles ââ¬â SAB 2317 12/02/2006 60,000. 00 2,000. 00 10 Straight Line Method a) b) c) Figure 4 List two (2) differences between the depreciation methods used by Alif Haikal Bhd? (2 marks) State the formula used in each of the following cells: i. E11. ii. D19. iii. B32. (6 marks) Describe the steps to format the number in cells B32 through D37 to two (2) decimal places with the thousand separator. (2 marks) (Total: 10 marks) à © Hak Cipta Universiti Teknologi MARA CONFIDENTIAL CONFIDENTIAL 9 AC/SEP 2011/AIS280/CAC230 QUESTION 2 The following questions are based on Figure 5 below: 1 1 . 2 ââ¬Ë 3 4 5 6 7 8 9 10 11 12 13 14 15 . 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 3? , Ol i B ;'-. :.. . â⬠¢ . ââ¬â , . . . C ! D THOMAS BIN JINIS CORPORATION BERHAD PROJECTED CASHFLOW STATEMENT Estimated Revenue Projected Sales Less: Estimated Expenses Other Fixed Cost Depreciation Variable Cost Total Expenses Projected Income Before Tax Less:Corporation Tax (28%) Estimated Project Net Income Net Cash Flow Estimated Project Net Income Add Back Depreciation Total Cash Flow PAYBACK METHOD PERIOD: END OF YEAR 1 END OF YEAR 2 END OF YEAR 3 END OF YEAR 4 I.. . â⬠¦ I Year 1 800,000. 0 130,000. 0 170,000. 0 200,000. 0 500,000. 0 300,000. 0 84,000. 0 216,000. 0 216,000. 0 170,000. 0 386,000. 0 ANNUAL CASH FLOW 386,000 415,664 410,538 418,170 E ; PROJECT NAME PROJECT COST Depreciation Rate Year 2 880,000. 0 140,000. 0 170,000. 0 228,800. 0 538,800. 0 341,200. 0 95,536. 0 245,664. 0 245,664. 0 170,000. 0 415,664. 0 ACCUMULATED CASHFLOWS 386,000 801,664 1,212,202 1,630,371 Year 3 896,000. 0 150,000. 0 170,000. 0 241,920. 0 561,920. 0 334,080. 0 93,542. 4 240,537. 6 240,537. 6 170,000. 410,537. 6 SELECTED PERIOD à »Ã » F XX-2011 850,000 20% Year4 944,000. 0 165,000. 0 170,000. 0 264,320. 0 599,320. 0 344,680. 0 96,510. 4 248,169. 6 248,169. 6 170,000. 0 418,169. 6 Figure 5 a) List the formula for each of the following cells: C14. i. C17. ii. C21. v. C23. (6 marks) b) c) What does the symbol à » à » in cell E30 means? (2 marks) If the company expects a maximum payback pe riod of 3 years, should the company accept the project? Explain your decision. (2 marks) (Total: 10 marks) à © Hak Cipta Universiti Teknologi MARA CONFIDENTIAL CONFIDENTIAL 10 AC/SEP 2011/AIS280/CAC230 QUESTION 3 Question 3 is based on Figure 6 below: 1 2 3 4 5 6 7 3 9 10 11 12 13 14 15 16 1? 18 19 20 21 22 23 24 25 26 2? 28 29 30 31 32 33 34 3S 36 3? a) A B ! CBDSDNBHD ADJUSTED TRIAL BALANCE AS AT 31 SEPTEMBER 2011 Land & Building ;Accum. Dep. Land & Buidling Furniture & Fittings Accum Dep . F Insurance .Advertising Rent Telephone Salaries Capital ââ¬Ë. Sales Bank Loan Cash in Hand Creditors Debtors Depreciation Prepaid Rent Insurances Owing Cost of Good Sold Total DEBIT RM 288,000 180,000 25,400 26,000 10,000 1,480 2,000 4,200 500 18,000 12,000 1,600 19,840 589,020 CREDIT RM 72,000 46,000 259,300 26,240 58,000 22,280 5,200 589,020 WORKINGS TOTAL FIXED ASSETS (NBV) TOTAL CURRENT ASSETS TOTAL OPERATING EXPENSES TOTAL CURRENT LIABILITIES CBD SDN BHD FINANCIAL RATIO REPORT AS AT 31 SEPTEMBER 2011 PROFITABILITY RATIOS GROSS PROFIT RATIO NET LOSS RATIO EFFICIENCY RATIOS: 350,000 24,300 76,880 27,480 84. 28% 23. 38% DEBTORS TURNOVER OPERATING EXPENSES RATIO LIQUIDITY RATIOS CURRENT ASSETS RATI OS : ACID TEST RATIO 52 DAYS 60. 90% I 0. 8B TIMES LVALUE! TIMES Figure 6 State the formula to calculate the amount in the following cells: ii. iii. iv. B27. H12. H35. H22. b) What does the symbol # VALUE! n cell H37 mean? (8 marks) (2 marks) (Total: 10 marks) à © Hak Cipta Universiti Teknologi MARA CONFIDENTIAL CONFIDENTIAL 11 AC/SEP 2011/AIS280/CAC230 PARTC Answer ALL questions. QUESTION 1 Question 1 is based on Figure 7 below: Sales ââ¬â New Item INVOICE Customer Shb to I Ship Backorder Salesperson Commen Ship Via Promsed Date â⬠¢i Re Invoice De jumal Mernc enal Source livery Status :fl Item Number . . .ill Description Terms Invoice tt: Date: Customer PO tt: Price . Pisc% Subtotal Freight Tax Total Amount : Paid Today Payment Method Balance Due Total fi? Tax Inclusive Job Tax :â⬠¢: J ââ¬Å¾J
Friday, September 13, 2019
Organization Innovation and change Essay Example | Topics and Well Written Essays - 3000 words
Organization Innovation and change - Essay Example The next move in the realization of British airways came in 1974 when all these airlines merged to form the now famous British Airways (British Airways 7). In 1981,the airline was privatized by a conservative government. The reason for the move was the expectation that it would perform better as a private company. The conservatives government that made this move a head to overhaul the leadership by applying Lord John King to head the new company (British Airways 7). . British Airways Leadership Structure . At the top of the company is chief executive officer. He reports to board of directors. The board of directors has the prerogative of making all the strategic decisions concerning the companyââ¬â¢s management (Brown 1998). The Chief Executive serves as the implementing force for the directorââ¬â¢s decision. The chief executive and the board of directors constitute what is called the strategic apex in leader ship. Under the strategic apex are leaders of various departments suc h as logistics, finance, and human resources. All these officers play a very significant role in the operations of the company, and report to the strategic apex from time to time. ... It is vital to reiterate the fact that British Airways is multicultural as far as its workforce is concerned and this not to be forgotten in the analysis of change and innovation. . Research Method: The line of research was careful examination of information available on British Airways website. Information that guided the collection of information sought to gather information on company traditions. Employee treatment , the way the company handles changes in the external environment as far as air transport is concerned the management traditions, the workforce attitude towards the management and remuneration policies. As an outsider analyzing information that I have obtained, I had no bias in my analysis. . Overview of change and innovation in light of BA: It is essential that business entities ensure that there is perfect harmony between their internal environment and external influences (Bamberger& Meshoulam, 2000). This therefore calls for a calculated scenario where the speed of r esponse to external pushes and pulls is equal to changes in the external conditions (Hayes 2007). Companies always adjust their strategies when confronted by shifts in their immediate environments. This adjustment is what can be described as innovation can be defined as a set of changes made within a business entity that have an impact ( Hamel 2007). BA has experienced a number of changes in its immediate environment that have called for major changes in its internal structure ranging from remuneration policies to areas of investment. The extent of success of the responses or the innovation the company has undertaken will be discussed in later stages of the paper by exploring the different milestones achieved by the company. For
Thursday, September 12, 2019
To Resist is to Live and March Forward. The world Won't Change Unless Essay
To Resist is to Live and March Forward. The world Won't Change Unless People Change It by Force - Essay Example Whatever the case be, anyone can picture the apprehension, confusion, and fright that a child would feel growing up right in the heart of rising tyrannical powers. Even at a young age, his disbelief and quizzical approach towards authority ââ¬â leading possibly to his fascination for Marxism ââ¬â were engrained deep in his mind through the early events of WWII. In addition to his apprehension and disbelief was the point that his mother was a Christian and his father was a Jew. It is perhaps difficult to know for sure whether or not Weiss was a survivor of the concentration camps, or how much weight he put into his half-Jewish legacy. This background can be tied up with the central theme of his play, revolution. Weiss, overtly and covertly raises the question in his play that what does true revolution mean? How does this revolution happen? And the most important question is; when revolution comes, is it through changing the society or through changing oneself? Subjects such as human suffering and class struggles have been beautifully woven into the play through poetic conversations between the characters. It would be fair to consider that when getting on with writing Marat/Sade, Weiss had sufficient memories (experienced by himself) and hard evidence on which the story could be constructed. Possibly the idea of writing a play that happened in an asylum and largely involved the patients was an eye-catching idea to Weiss simply for the reason that it was the substance he knew it like the back of his hand. This play should inspire the American audiences specifically because of Americaââ¬â¢s involvement in Iraq, especially in the light of the mayhems at Abu Ghraib, Guantanamo and Bagram. The play, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, more commonly known as Marat/Sade by Peter Weiss was written in 1963. It is a play within a play. The picture portrayed is that of 1808, where the play is staged depicting Marque de Sade staging a play in the asylum in which he was held captive till his death. The play revolves around the debate between the ideas of Marque de Sade, the notorious philosopher and Jean Paul Marat. Many times during the play, Weiss mentions something that can be directly related to his early childhood traumas. For instance, one of the lead characters, Marat says; ââ¬Å"People used to suffer everything / now they take their revengeâ⬠(21) This is a clear indication of the revenge and the fury trapped inside of Weiss. Most of the concentration camp survivors felt guilt that they were spared while their fellows were brutally murdered. This element of regret and more importantly, the feeling of resistance and fight back are evident in the play. The antihero (supposedly) of this play is Marquis de Sade and he has a completely different perspective as of Marat. Sadeââ¬â¢s point of view in the play is somewha t passive. He says that revolutions and violent resistances are useless. He says that revolutions are bloody, violent, and cruel. Such movements are based on idealistic designs of a world that is picture of perfection. At the end of the day all that people can do in this "dog-eat-dog" place is dwindle the tyrannical system of the state, and make efforts only to survive. In Act II, Part 28 of the play, the character Sade says something demoralizing. He asks Marat to give up his struggle as if it will go in vain and
Wednesday, September 11, 2019
Wonderful Adventures of Mrs. Seacole in Many Lands Assignment - 1
Wonderful Adventures of Mrs. Seacole in Many Lands - Assignment Example as an adventuring business woman in London, Jamaica, New Granada, Haiti, and Cuba, and as a woman who, undisturbed by the horrors that were experienced at the battlefields she deployed herself to the Crimean war, her heroine was extraordinary by any standards. In addition to her bibliographical significance, her works are invaluable means of espying how the female subject fashioned her identity, from the socially, racially, and more so the economically disempowered position. The text describes how she exploited historical moments in order to realize and construct a new social identity. The writer has used double coincidence so as to challenge contradictory and conflicting ideas in her identity. When the location shift from Jamaica to England; she finds this site less predictable, unlike the colonial one. She illuminates what she reveals as the psychological migration of colonialism and migration. In the wonderful adventures, the cultural hybridity of Seacole surrenders to the imperialism of Britain as a civilization strength; however, this surrender is not absolute. Seacoleââ¬â¢s constant revolt against the marginalization that was imposed by gender and race qualifies her hold for the civil ideals; she even portrays herself as the champion of the English values (Seacole 45). She claims that the British Empire has become a sacred value in her life, and it does not matter whether it represents cultural and social legitimacy at home or abroad, or maybe the much desired protection from the Yankees of New Granada (Seacole 73). The narrative celebrates her single status of being a Jamaican woman. At the age of forty-five, she chooses to defy the English ââ¬âderived social conventions (Seacole 60). Instead, she decides to carve out of the new life for the sake of adventure, entrepreneur, and professional healing. While telling her story, we realize her attempt to explain the meaning of a true woman based on her individual accomplishments as a Jamaican woman, where color
Tuesday, September 10, 2019
Looking at Los Angeles from a Dance Perspective Research Paper
Looking at Los Angeles from a Dance Perspective - Research Paper Example à Participants of the dance across disciplines manipulate spaces of their creative and innovative practices that form a network of merging societies. In the Los Angeles dancing culture, the society tends to shape their bodies, societal locations, and fashion identification and lay the basis and grounds to choreograph1 the urban relations. The culture has focused on these protocols where the professionals and amateur understand their stand as agents and creators within their community. The goal of this is to reframe the training scenarios, audience, and performance in the casting of daily practices. The role of dance and performance is to come up with civic infrastructure and position dance as one of the deliberate techniques to place urban making. Therefore, the cultural spectrum of Los Angeles comprises of centers and sites for dancing. The dancing culture is significant since is shaped the environment accordingly. The dancing culture has come to navigate the complex and a ceremonious diversity that features the city. The dancing culture in Los Angeles is a spiritual, political, and social frameworks acting as an archive that preserves the past and looks into the future. For instance, the Pilates training has a duality perspective where the associated techniques are considered as a disciplinary project and their connection of alibi. In Los Angeles, the intimacy of Alibi is gotten from the shared understanding of the physical limits, metaphors in organizing the body.Ã
Monday, September 9, 2019
Management - Virtual organization Essay Example | Topics and Well Written Essays - 500 words
Management - Virtual organization - Essay Example This kind of group undergoes the same stages of development. In virtual group cohesiveness and norms are both important. Cohesiveness is the ability of the team to attract the members to be involved and really focus on the development. Norms are standards that are set by the member of the team that can either be a pro-management or anti-management. Building an effective virtual workgroup involves activity facilitated by computers. Interactions of the members are done thru the internet. In a normal workgroup they meet most of the time to talk about the project while in virtual group the communication and brainstorming are done thru the use of the web. Since there is no need to ask many questions the forming stage in the development are not the evident in the virtual group. The group understand what they need to do just by handling them the outline of the work. There are seldom storming stage in the virtual group. Although they have different ideas on their mind the focus is on the development of the IT. Leadership is important in any project. Virtual team leaders are operating within a different framework. Some of the behaviours considered good management practices were changed, or even eliminated, because the team was physically separated. In the virtual team the leader usually conducted meetings thru conference call.
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